Fear
No More
Fear no more the heat o' the sun;
Nor the furious winter's rages,
Thou thy worldly task hast done,
Home art gone, and ta'en thy wages;
Golden lads and girls all must,
As chimney sweepers come to dust.
Fear no more the frown of the great,
Thou art past the tyrant's stroke:
Care no more to clothe and eat;
To thee the reed is as the oak:
The sceptre, learning, physic, must
All follow this, and come to dust.
Fear no more the lightning-flash,
Nor the all-dread thunder-stone;
Fear not slander, censure rash;
Thou hast finished joy and moan;
All lovers young, all lovers must
Consign to thee, and come to dust.
No exorciser harm thee!
Nor no witchcraft charm thee!
Ghost unlaid forbear thee!
Nothing ill come near thee!
Quiet consummation have;
And renowned be thy grave!
William Shakespeare
1.
Paraphrase
Stanza 1: in the first
stanza, the writer seems to address the dearest who has seems died.
Stanza 2: the writer
told that the death is an advantage. Because, it can frees someone from the
fear of all powerful and economic pressure.
Stanza 3: the writer
argued that all lovers eventually die.
Stanza 4: the writer
argued that death can be frees a person from the fear of demons, wither evil
spirits that torment living.
2.
Object
of the Poetry
The object of this
poetry is a death.
3.
Who
is the Speaker
There speaker of this
poetry is a man.
4.
Occasion
The speaker spoke in
the midnight.
5.
Theme
The death can be frees a person from
many problems in their live.
6.
Element
of Poetry
a.
Diction:
The
writer choose the words “come to dust” to reminds us of the bible. He also
chooses the word “thee” which is no longer in use. He use the word “censure” to
imply the judgment.
b.
Imagery:
No
the furious winter’s rages (line 2) à
visual imagery
Golden
lads and girls all must (line 5) à
visual imagery
The sceptre, learning,
physic, must (line 11)à visual imagery
Nor
the all-dread thunder-stone (line 14)à
auditory imagery
Thou
hast finished joy and moan (line 16)à
auditory imagery
c.
Rhyme:
Stanza
1: a, b, a, b, c, c
Stanza
2: a, b, a, b, c, c
Stanza
3: a, b, a, b, c, c
Stanza
4: a, a, a, a, a, a
d.
Figurative
languages:
1.
Hyperbole:
The writer enlarged the
downside of the life in order to promote acceptance of the death “furious
winter’s rages”.
2.
Metaphor:
Gaining heavenly reward
after death is compared to taking one’s spiritual wages.
e.
Point
of view:
Point
of view of this poetry is the third person.
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